Sound reinforcement is provided by a flown d&b Audiotechnik Q-Series Line Array PA system with full balcony, center fills and EAW LA series monitors. P.A. signal processing is supplied by d&b R1 Remote Control Software.
Mixing consoles are Yamaha Digital M7CL-48 and Midas Venice 24x4x2 analog.
Outboard processing includes Ashly EQ’s, Yamaha effects processors, and DBX
and BSS compressors, gates, and limiters. Playback and record decks are Tascam
for CDR and Mini Disk.
We provide a full microphone package including Shure, Sennheiser, Audio Technica,
AKG, and EV microphones. We stock Shure and Sennheiser wireless handheld and lavaliere microphones, and have Countryman and Whirlwind direct boxes.
We also have a full EAW cinema system with Dolby Surround 5.1. Signal processing is supplied by BSS London Architecture, EAW, and Dolby for the cinema system (see the Film & Video page for more details).
The main PA speakers fly out of the way for symphonic and chamber groups, which employ the use of our Acoustic Control System (ACS). The ACS works in conjunction with our Wenger Diva Acoustical Shell to change the acoustics of the hall.
18 microphones are aimed at the stage and orchestra pit. These signals are then processed by early reflection and reverberation modules then amplified and released into the hall, adding warmth, brilliance, and fullness of tone. Foldback speakers in the symphony shell allow the musicians to hear the acoustics of the hall, giving an acoustical unity between musicians and audience members. The ACS system may be remotely adjusted from 1 second to 3.1 seconds.
Click here for full Technical Specifications.